When photographer Ishimoto Yasuhiro asked modernist architect Tange Kenzō to write an essay for his book of Katsura photographs, he inadvertently pitted architectural and photographic approaches against each other. Kenzō’s enthusiastic reaction was akin to Dad “helping” with his child’s science fair by reshaping the vision of the project; instead of merely contributing an essay, he cropped, resized, and reorganized the pictures into what became the “landmark” work.

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